http://bonedaddy.cgsociety.org/gallery/ bonedaddy's gallery of images en-us 120 http://bonedaddy.cgsociety.org/gallery/325345

Opening shot from the Screen Gems motion picture ULTRAVIOLET, directed by Kurt Wimmer. I was responsible for technical direction on this shot, as well as a lot of the poly modeling for the buildings.

I coded a suite of scripts which populated the city with traffic lights, animated cars, bus stops, newspaper machines, rooftop miscellany, and the like.

I also made a script which auto-generated and auto-textured a number of generic low-lying buildings.

This image is COPYRIGHT 2006 SCREEN GEMS. Work was done at CIS Hollywood. I am merely putting it online to demonstrate my work on this movie. ]]> Mon, 06 Mar 2006 06:43:25 +0000 http://bonedaddy.cgsociety.org/gallery/325347

Still of the space station sequence from 20th Century Fox's release of FANTASTIC FOUR, directed by Tim Story.

I did the particle work in this shot for the plasma tendrils.

This work is COPYRIGHT 2005-2006 20TH CENTURY FOX. Work was done at CIS Hollywood. I only show this as a sample of work that I have done.]]> Mon, 06 Mar 2006 06:59:09 +0000 http://bonedaddy.cgsociety.org/gallery/325414

Stills from the antigrav motorbike chase from the Screen Gems motion picture ULTRAVIOLET, directed by Kurt Wimmer. I was responsible for all particle effects work on this shot, as well as detailing the background (rooftop miscellany, building touchup, cars on street).

I put together a "virtual squib" rig that, given custom Maya locators to indicate timing and position of the bullet hits, would:

- Aim the gun correctly and fire a bullet enough frames beforehand that it would hit on time.
- Fire a tracer round (with smoke trail) every fifth round
- For each bullet hit, turn on one of ten random pre-computed particle simulations, with different ones for marble, glass, and metal hits
- Create damage on the building
- Turn on a pre-computed muzzle flash element and accompanying light burst
- Emit a shell casing

Additionally, I helped with the Renderman shader for the debris, so that we could put out various AOV renders for the reflection in the building, as well as for the regular debris.


This image is COPYRIGHT 2006 SCREEN GEMS. Work was done at CIS Hollywood. I am merely putting it online to demonstrate my work on this movie.]]> Mon, 06 Mar 2006 08:52:28 +0000 http://bonedaddy.cgsociety.org/gallery/325360

This is a matte painting I did for Ghost Town, a script I put together. Currently production on GT is halted, as I found the work too ambitious at this point in time.]]> Mon, 06 Mar 2006 07:09:15 +0000 http://bonedaddy.cgsociety.org/gallery/325342

This is an environment "concept sketch" for Ghost Town, a script that I was trying to put together. I've since halted development on it for a time, and am tackling slightly more manageable projects. Still, it sets the mood well.]]> Mon, 06 Mar 2006 06:35:16 +0000 http://bonedaddy.cgsociety.org/gallery/325337

This is an In-progress sketch testing out my 2d art skills. I went through a rough patch recently, and I drew this to try and work through it. It isn't great, but I don't really aim to be a 2d artist. This is more for me.]]> Mon, 06 Mar 2006 06:26:53 +0000